Description of The Decline and Fall of Public Broadcasting.
Public broadcasting increasingly reflects the mentality of corporate America,
offering a spectrum of views “from A to B, from GE to GM,” writes journalist
David Barsamian in The Decline and Fall of Public Broadcasting. The concentration
of the for-profit media has made it even more difficult for alternative voices
to gain a hearing, he argues.
In The Decline and Fall of Public Broadcasting, Barsamian draws on
his years of experience in public radio and gives an insider's perspective
on public broadcasting in the United States, as well as the challenges faced
by new media activists.
In this new edition, Barsamian describes the important victory
of media activists who have fought for democracy and accountability in the Pacifica
radio network. While emphasizing the important lessons of this victory, he suggests
that "much remains to be done" to build more democratic public broadcasting
institutions.
Table of Contents
Foreword by Amy Goodman
1
Watchdogs or Lapdogs?
2
The Decline and Fall of Public Broadcasting
3
Independent Media Alternatives
4 Struggle
and Victory at Pacifica
Afterword by Mumia Abu-Jamal
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Excerpt
Public radio and public television enjoy “liberal” reputations,
but if you come to the evidence without prejudice, you'll overwhelmingly find
that's simply not the case. On PBS, for instance, the established, syndicated
programs include “Wall $treet Week,” “Washington Week in Review,”
“The Nightly Business Report,” “NewsHour with Jim Lehrer,” which is
on every night of the week, “The Charlie Rose Show,” which is also on nightly,
“Tony Brown's Journal,” “Ben Wattenburg’s Think Tank,” and “Talking
Money with Jean Chatzky.” The official name of “Masterpiece Theatre” is
actually “ExxonMobil Masterpiece Theatre.”
The longest running program in public affairs in PBS history was William Buckley’s
“Firing Line,” which was aired for more than three decades. The program
was mercifully discontinued in 2000. John McLaughlin, formerly of the right-wing
National Review magazine, occupies a unique place on PBS. He has not
one, but two shows: “The McLaughlin Group” and “One on One.” How this
man commands two public affairs programs on PBS is mind-boggling. Though he
has little talent other than his penchant for bombast, his ability to attract
long-time corporate funding from General Electric and Archer Daniels Midland
is undoubtedly a factor in his prominence at PBS. On public radio—including
not only NPR, but also Public Radio International—you hear business programs
like “Marketplace” and “Sound Money.” Guest comment...
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Resources
For more information on Corporate—and Alternative—media, check out these
groups
Adbusters Media Foundation
1243 West 7th Avenue
Vancouver, BC V6H 1B7
Canada
Phone: (604) 736-9401
Fax: (604) 737-6021
info@adbusters.org
www.adbusters.org
Alternative Radio
David Barsamian
PO Box 551
Boulder, CO 80306-0551
Phone: (800) 444-1977
Fax: (303) 545-5763
ar@orci.com
www.alternativeradio.org
Center for Independent
Public Broadcasting
1910 Cochran Road, Manor Oak Two, Suite 441
Pittsburgh, PA 15220-1203
Phone: (412) 563-4150
Fax: (412) 563-4960
cipb@cipbonline.org
www.cipbonline.org
Center for Media Literacy
3101 Ocean Park Boulevard
Suite 200
Santa Monica, CA 90405-3022
Phone: 310-581-0260
cml@medialit.org
www.medialit.org
Commercial Alert
3719 SE Hawthorne Boulevard
Suite 281
Portland, OR 97214-5145
Phone: (503) 235-8012
...
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Praise
“A
slim powderkeg of a book.”
—KWGS Radio, Tulsa, Oklahoma
“[A]
must-read for alternative media activists and supporters.”
—What's Up Magazine
“[A]
short, incisive dissection of a problem most American media consumers probably
haven't even noticed. Barsamian…makes a powerful argument that not only
have private, corporate media been wholly co-opted by monied interests, but
so have National Public Radio and the Public Broadcasting System.”
—Daily Camera, Boulder,
Colorado
“David
Barsamian is one of the great journalists of our era, and a giant of community
and public radio. The National Radio Project is among the most important independent
sources for broadcast journalism in the nation.”
—Robert McChesney, author of Rich Media, Poor
Democracy
“In The Decline and Fall
of Public Broadcasting, David Barsamian not only shows us how we can take
steps together to achieve a more democratic media, but how urgent it is that
we do.”
—Amy Goodman, from the foreword
“David Barsamian is the Studs
Terkel of our generation.”
—Howard Zinn
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